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A Chivalrous Christmas

by The Chivalrous Crickets

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  • Compact Disc (CD) + Digital Album

    6 panel CD booklet complete with liner notes. Design by Fiona Gillespie.

    Includes unlimited streaming of A Chivalrous Christmas via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    A burly and expansive tote bag with handles, design by Neivanmade, Instagram @neivanmade
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
All hail to the days that merit more praise Than all the rest of the year, And welcome the nights that double delights As well for the poor as the peer. Good fortune attend each merry man’s friend That doth but the best that he may, Forgetting old wrongs with carols and songs To drive the Cold Winter away.
2.
3.
There's a star in the east on Christmas morn’ RISE UP SHEPHERD AND FOLLOW It'll lead to the place where the Christ is born RISE UP SHEPHERD AND FOLLOW FOLLOW, FOLLOW, RISE UP SHEPHERD AND FOLLOW FOLLOW THE STAR OF BETHLEHEM RISE UP SHEPHERD AND FOLLOW Leave your sheep and leave your lambs Leave your ewes and leave your rams If you take good heed of the angel's word You'll forget your flocks you'll forget your herd Bright morning stars are rising Day is a’breaking in my soul. We are down in the valley praisin’ Day is a’breaking in my soul. We are gone to heaven shouting Day is a’breaking in my soul.
4.
5.
Twas Caspar and Melchior and Balthazar, O LAETEMUR GAUDIS They three kings of Orient are, A TOAST TO THE MASTER OF MERRIMENT Took the high and the long road to seek out the king, O LAETEMUR GAUDIS So we commoners of their epiphany sing, A TOAST TO THE MASTER OF MERRIMENT PUT ON YOUR GOLD RINGS, YOUR GLITTERING JEWELS, FOLLOW THE STAR TO THE FEAST OF THE FOOLS. HAVE YOUR CHRISTMAS, YOUR STEPHEN'S, YOUR NINE DAYS OF YULE THE TWELFTH NIGHT BELONGS TO THE LORD OF MISRULE. Most of his days he's nought but a peasant, But tonight we'll enjoin him to carve up the pheasant. And if he's especially lucky he'll know, The taste of the pavorreal e'er he goes. May the pipers pipe freely, the drummers drum loud, May even the animals join in the crowd. Wassail to the apples, wassail to the pears, Chalk up your lintels and toss off your cares. Lay your hands on the boar and swear a good oath, It's a long devil's dance ‘til the harvest has growth. The sun's in retreat and masked o'er by the night, We escape in the revels of harmful delight.
6.
7.
Cold, Cold December when the wind blows to bring the bodies near. Lo, Lo remember how the roses a’bloom with winter cheer. Let summer have its joys, its endless afternoons, For winter blows outside the firelight and revelry in tune! Tune, tune the words, tell them smoothly read and treasure their discourse. Sing, sing divine the harmonies and tread without remorse . Spring has sprung its trap to make us dizzy, And Fall befalls its leaves to leave us busy. Summer promises a breeze so temporary, But Winter blows outside of something merry. Blaze, blaze the chimneys praise the yearly yule of yellow waxen lights. Flow, flow the wine to bring the tears and joys and shorten winter nights. Let summer have its joys, its endless afternoons, For winter blows outside the firelight and revelry in tune! Now winter nights enlarge the number of their hours And clouds their storms discharge upon the ayrie towr’s Let now the chimneys blaze and cups o’re flow with wine Let well tuned words amaze with harmony divine Now yellow waxen lights shall wait on teasing love, While youthful revels, masks and courtly sights Sleep’s leaden spells remove. This time doth well dispense with lover’s long discourse Much speech hath some dispense though beauty no remorse All do not all things well, some treasures comely tread Some knotted riddles tell, some poems smoothly read. The summer hath his joys, and winter his delights Though love and all his pleasures are but toys, They shorten winter nights.
8.
Qui veut chasser une migraine N'a qu'à boire toujours du bon, Et maintenir la table pleine De cervelas et de jambon. L'eau ne fait rien que pourrir le poumon, Boute, boute, boute, boute compagnons, Vuide-nous ce verre et nous le remplirons! Le vin goûté par ce bon père Qui s'en rendit si beau garçon, Nous fait discourir sans grammaire, Et nous rend savants sans leçon. L'eau ne fait rien... Loth beuvant dans une caverne De ses filles enfla le sein, Montrant qu'un syrop de taverne Passe celui d'un médecin. L'eau ne fait rien... Beuvons donc tous à la bonne heure Pour nous émouvoir le rognon, Et que celui d'entre nous meure Qui dédira son compagnon. L'eau ne fait rien...
9.
10.
Now the harvest being over and Christmas drawing in Please open your door and let us come in With our wassail WASSAIL, WASSAIL AND JOY COME TO OUR JOLLY WASSAIL Here's the master and mistress sitting down by the fire While we poor wassail boys do trudge through the mire With our wassail Here's the master and mistress sitting down at their ease Put your hands in your pockets and give what you please With our wassail This ancient owd house we do kindly salute It is your custom you need not dispute With our wassail Here's the saddle and the bridle they're hung upon the shelf If you want any more you can it sing yourself With our wassail Here's a health to the master and a long time to live Since you've been so kind and so willing to give With our wassail
11.
12.
The holly and the ivy when they are both full grown, of all the trees that are in the wood, the holly bears the crown. O, THE RISING OF THE SUN AND THE RUNNING OF THE DEER THE PLAYING OF THE MERRY ORGAN SWEET SINGING IN THE CHOIR The holly bears a blossom as white as lily flow’r, and Mary bore sweet Jesus Christ, to be our dear Saviour. The holly bears a berry as red as any blood, and Mary bore sweet Jesus Christ to do poor sinners good. The holly bears a prickle as sharp as any thorn, and Mary bore sweet Jesus Christ On Christmas Day in the morn. The holly bears a bark as bitter as the gall, and Mary bore sweet Jesus Christ to redeem us all.
13.
Lo, How a Rose E’er Blooming From tender stem hath sprung From Jesse’s lineage coming as men of old have sung. It came a flower bright amid the cold of winter when half spent was the night.
14.
Little star of Bethlehem, Do we see thee now? Do we see thee shining o’er the tall trees? Little child of Bethlehem, Do we hear thee in our hearts? Hear the angels singing Peace on Earth, goodwill to men, Noël! O’er the cradle of the King, Hear the angels sing! In Excelsis Gloria, Gloria! From his Father’s home on high, Lo, for us he came to die; Hear the angels sing: Venite adoremus Dominum.
15.
16.
I’ll have a blue, blue Christmas, without you I’ll be so blue just thinking about you Decorations of red on a green Christmas tree Won’t be the same my dear, If you’re not here with me. And when those blue, blue snowflakes start falling That’s when those blue, blue memories start calling You’ll be doing alright, on your Christmas so white But I’ll have a blue, blue, blue, blue, blue, blue, blue, Blue, blue, blue, blue, blue, blue, blue, blue, blue, Christmas!

about

This album represents a cornucopia of the musical genres, styles, and historical interests that the Crickets bring to the festal table. From the Parisian Baroque scene to 1950s popular radio, and everything folk between, we invite you to fill a cup with wassail and join our rambling party through the villages of England, France, Ireland, Germany, and America as we explore the tunes of Yuletide, giving all a signature chivalrous twist, and celebrating the traditions of this ancient holiday from the peaceful first of winter to the raucous Twelfth Night of Christmas.

This disc is anchored around six tunes by French composer Esprit Philippe Chedeville who championed the musette, a French bagpipe dating to the late 16th century. Musettes were celebrated and played by the French aristocracy in the 18th century as a window into the more charming rooms of peasant life, a welcome escape to a quaint past during the less charming days of civil strife along the way to impending
revolution. These dances come from Esprit Phillipe’s "Nouveau recueil de Noëls", a collection of popular Christmas melodies heard in the parlor rooms of Paris, 1730 which he arranged for any two treble instruments, be they musettes, vielles, flutes, or oboes. We gleefully exploit the folk origins of his arrangements in our arrangements for Scottish small pipes, Irish whistle, fiddle, banjo, Baroque guitar, bass, and drums. No doubt Esprit Philippe took inspiration from Marc-Antoine Charpentier’s "Noëls sur les instruments", published a generation earlier. For our arrangements, we included Charpentier’s four part setting of "Or nous dites, Marie" as well as his bass lines for "Joseph est bien marié" and "Ou s’en vont ces guays bergers". Joining Chedeville's tunes is (also from a generation earlier) Gabriel Bataille’s drinking-song-in-disguise-as-a-lute-song, "Qui veut chasser une migraine". From neighboring Germany, "Lo How a Rose E're Blooming" has been stunningly interpreted by many ensembles before us, but we couldn't resist it, so we arranged a variation for banjo and tenor whistle.

Leaving the continent, we skip across the channel to the green isles and the new world beyond…

From Olde England we share a wassail from the village of Malpas, a handful of caroler's favorites in a merry medley interrupted mid-way by a German Medieval tune that the English co-opted centuries later (they did this a lot), and the beloved “Holly and the Ivy”, full of pagan-Christian symbolism about the crown of thorns and the Virgin Mary. From Ireland - the mystical Wexford carol and a lovely tune we discovered purely because it had the name winter in the title, but which proved itself as delicate and delightful as the year's first falling snow. Our American numbers include the traditional spiritual “Bright Morning Stars”, a reworking of the angelic "A Christmas Carol", a choral piece by the usually discordant composer Charles Ives, a "different" (to quote the licensing agent of the Elvis Presley estate) and toe-tapping "Blue Christmas", and a number of originals. “Rise Up Shepherd” uses a text borrowed from the gospel tradition, set to a new melody influenced by the Appalachian. “Cold, Cold December” is our literary as well as musical composition, playing off of textual themes from the lyrics of “Winter Nights”, the
evocative poetry of which was written by 16th-century lutenist Thomas Campion, but reset here to an original melody. The theme of fending off the dread of long winter dark by turning inward to the comforts of friendship, firelight, and alcohol is advice found throughout the disc,
from the opening lines of the poem "Drive the Cold Winter Away", to “Qui Veut Chasser…”,(which has otherwise nothing to specify it as a Christmas piece), to "The Lord of Misrule", a song about the party to rule them all. Stretching back to its origins in the Roman Saturnalia, and still celebrated as the main Christmastide festival of Epiphany in some nations, Twelfth Night enjoyed its zenith in King Henry VIII's England as a raucous affair in which servant and master switched roles, everyone dressed in costume and greenery, a huge feast crowned by the famous boar's head was enjoyed, and a Lord of Misrule was elected to lead everyone in activities of "harmful delight".

credits

released December 1, 2022

The Crickets:
Ben Matus: pipes, tenor whistle, dulcian, vocals
Benya Stewart: vocals, percussion, mandolin
Bradley King: bass, vocals
Fiona Gillespie: vocals, whistle
Genevieve King: fiddle, vocals
Paul Morton: Baroque guitar, theorbo, banjo, vocals, harmonica

Guest artists:
Abigail Gillespie: harp
Doug Balliett: double bass

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The Chivalrous Crickets New York, New York

The Chivalrous Crickets is an exciting young band
exploring the roots, branches, and crossroads of Celtic, English, and American folk music,
with a focus on boldly reimagined arrangements of standards,
and original songs with traditional influence.
... more

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